Earlier task-based absurdity was practice as research, a series of lateral means to a dramatic end.

Consequently, I led an inter­national inter­disciplinary troupe to make visual theatre based on three seers, Anna O., Olive Pixley, and the Oracle, Pythia; em­ploy­ing per­sonae for my various input in performance, drama­turgy, and sound design.

Ongoing, I incorp­orated the hybrid production company Horsedonkey.

Myles Stawman